E18 [MP3] (from Hemvägen EP) Dansbanan [MP3] (from Hemvägen EP) Lyckans Undulat [MP3] (from Lyckans Undulat) In the same way that Julie Andrews leaps at the mountains in Austria in the Sound of Music, Detektivbyrån glides over the ice capped Nordic Balkans. With their minimal carnival music, always happy and forever minimal, they can exist in no other place. The grassy Balkans are no doubt not a place for these pale skinned Swedes, and none will argue that it’s hard to carry a small orchestra in the ice covered planes of Sweden. Thus, they exist in one place - in the Nordic Balkans. Links: Official website Myspace profile
Kaleidoscope [MP3] The Backward Song [MP3] The Great B [MP3] Layering enough thin layers will create a space. Despite using matter, it won’t create a block of matter, there will be nothing solid. You will end up with something similar to a cloud, a nebula. Just like in a nebula, in this newly created cloud you can float, swim. In Alexandra Veanna Gil Cohen, former Zegunder dude, creates the space and provides Maya Goldshtein’s voice with a nebula to float in. The attached MP3s are some of their B-sides, and you can download their entire debut album here. Links: Alexandra Veanna @ Myspace Download the full album
K7, Amiina’s label, ordered the removal of these MP3s. I have tried to explain K7 the changing world and importance of sites as tinyways in spreading the art. I believe that sites such as tinyways are important to both the artist and the labels, both commercially and artistically. tinyways does not feature full albums, but only a few pieces. We do this to encourage the support of the artists. I believe that for Indie artists, that get very little exposure, such support is crucial. After this post was published, Amiina saw it and approved of it. However, the legal system and mainly the perception of many labels is still a few decades behind. I am sorry for that. You, my avid reader, know where to get K7’s albums for free. Labels as K7 should perish and make way to ones that really want to promote the art and have a basic understanding of the universe they function in. Hilli [MP3] Lori [MP3] Rugla [MP3] Music,at times, portrays images, and at times it portrays entire scenes, with movement, action and drama. On other occasions it portrays lack of movement. Such is the case with Amiina’s Kurr. It’s like standing in the middle of an endless ice field and moving no where. All is flat and white around us. The wind is caressing the planes, and we are standing, looking to one side, gazing to the other, moving our focus from one point to another point, both look the same. This is a lack of movement, and Amiina with their Icelandic roots show us that with such clarity that it doesn’t look frightening, it’s just peaceful. This is only one part of it, in other parts they place you elsewhere, and that’s how they make you move, by standing still at different places. Traveling without moving. Links: Official website Amiina Shop (buy the new record here) Amiina @ The Worker’s Institute
Thanking You For Listening [MP3] The Matinee March [MP3] Run For Cover (Its Going To Rain) [MP3] Imagination Of A Watermelon [MP3] A Mobile, before being a phone, and before being something that goes with you, was thing that goes above you, goes in circles. The first Mobile is that merry-go-round that the parents hang over the head of their baby. Believing it spread health or just joy, one can’t deny that it all looks too much like superstition. When you are older you get garlic hung over your head, or around your neck, so all that babies can do is thank the colorfulness of their talisman. Many of these make sounds, inside tiny parts, metallic hands, pluck other parts, and make subtle primitive sound. We later discover them to be named lullabies. Our night music, to sleep with. It’s odd to create music that is not to be listened to, but is meant to alter the state of its listener so he won’t be able to listen, at least not in the conventional conscious way. When you are a baby, these shows of colors and movement occur over your head not only at night. Sleep is only bounded to the night at a later point, when you are young it’s still free. And so we have such shows during the day, our own private Matinee Orchestra.
The Matinee Orchestra do just that. They create that wonderful lullaby, the one to which we listen to during the day, the one forgotten so long ago. It’s music to sleep to (at night), and to be awake to (during the day). It’s for the winter indoors, and for the outdoors in the summer. Oh, and it’s nice to us, so nice. Links: The Matinee Orchestra @ MySpace Review at Stylus magazine
We Shall Overcome [MP3] Little Weird Grrrl [MP3] Genua [MP3] One Hand Mona [MP3] Then I had to go, and leave quickly, and drive to see her
Then I got there late, and only had so little to listen to
Then I had a chance, to buy the CD from her and pay a few compliments
Then I wanted to write, but I had to go, again
This time for a much longer time, for a much further place
This time not to listen to music (maybe a different kind of music)
This time with her voice and sight in my mind, it’s a nice to go with
Now I am back, and have time to write, but now it’s all faded
Wait, now I will listen, and it will all burst again, the colors, the electronica, the voice
It’s wonderful how memories take shape once again once fed with music Links: Past post @ tinyWays Official website
Harpy Listens - Train Music [MP3] Harpy Listens - Zara Music [MP3] First I should warn that I am biased. That’s is usually the situation in which you are when talk about friends. Tangled in my headphones from time to time, merging the outside with inside, merging music with the world, I understand what She is talking about, what She is mixing into a single waveform. The two tracks were made one through a Zara shop and one through London’s Tube:
I never really thought about this listening experience before although I put on my headphones almost all the time, everywhere I go, and anyone whom I am with. Conciously, I will be listening to the tunes on my Ipod but subconciously, or inevitably I will also be listening to the background/ environmental noise. It is almost as though laying several tracks down and mixing them in real time as the environment changes over time. Every occurence of sound stands a potential to affect the listening experience that may leave a dramatic effect such as sound of car crash.